Posted in: Music Theory by Sue D Nim on October 22nd, 2008 | 3 Comments
Chords are the skeleton of any musical song, whether it be a classical Mozart or a Rolling Stones hit. Learning the chords is essential to any budding musician and will undoubtedly help them make great strides in the art.
When you look at a peice of music, any peice, and strip it down to its bare bones, you will find the chords. They may be spread over all the instruments, or held up by a single rhythm guitar, nevertheless, the importance of chords is massive as without them, the peice has no structure, no direction, no finish.

Put simply, a chord is two or more different notes played at the same time, usually on the same instrument by the same player. Frequently in bands, one note of the chord will be strummed by the bass guitar, while the “meaty” section of the chord is played on the rhythm guitar.
Chords are made up of melodic intervals. An interval is just the “gap” between two notes. For example, the interval of E from C is major third, becuase E is the third note in the C major scale. The most common chord, the major/minor triad, is composed of a major interval followed by a minor interval (for major triad, C-E-G) and a minor interval followed by major interval (for a minor triad, C-Eb-G).

Also known as a chord progression, form the most basic harmony of a song. Playing a series of chords in order, and repeating is known as a chord sequence. Usually, each chord leads on from the one before it. The link is based on the root chord, normally the starting chord.
Common Chord Sequences alternate between the 1st, 4th and 5th chords in a scale (eg. in the key of C, the 1st chord would be C, the fourth would be F and the fifth G). Sometimes, a minor chord would be added, usually on the 2nd or 6th notes of the key (in key of C, the 2nd would be Dminor, and the 6th would be Aminor).

House of the Rising Sun: Am-C-D-F-Am-E-Am-E (Im-III-IV-VI-I-V-I-V)
The Passenger: Am-F-Am-E (Im-VI-Im-V)
Hotel California: Bm-F#-A-E-G-D-Em-F#m (Im-V-VII-VI-VI-III-VIm-Vm)
12 Bar Blues: C-C-C-C-F-F-C-C-G-F-C-C (I-I-I-I-IV-IV-I-I-V-IV-I-I) (can be with added 7ths)
Hey Jude (outro): F-Eb-Bb-F (I-VIIb-V-I)
Wonderwall: Em7-G-Dsus4-A7sus4 (Im7-III-VIIsus4-IV7sus4) (’sus4′ simply means you add the fourth note of that scale to the chord, so Dsus4 would be a D chord with added G).

Killing Me Softly: Am-F-C-G-Am-Dm-G-G-F-C-C-F-Bb x4-Am x4 (Im-VI-III-VII-Im-IVm-VII-VII-VI-III-III-VI-IIb x4-Im x4)
Yesterday: F-Em-A7-Dm-Bb-C-F-Dm-G7-Bb-F (I-VIIm-III7-VIm-IV-V-I-VIm-II7-IV-I)
Ruby Tuesday: Bm-A-G-A-D (Im-VII-VI-VII-III)
My Way: F-A-Cm-D7-Gm-Gm7-C7-F-F-F7-Bb-Bbm-F-C7-Gm-F (I-III-Vm-VI7-IIm-IIm7-V7-I-I-I7-IV-IVm-I-V7-IIm-I)
Let It Be: C-G-Am-F-C-G-F-C (I-V-VIm-IV-I-V-IV-I)
Baba O’Riley: F-F-F-C-Bb-Bb-Bb-Bb (I-I-I-V-IV-IV-IV-IV)
johnbishop October 23rd, 2008 at 7:33 am
very thorough and informative, i agree with most of what you said, some nice chord sequences there at the end too!
nice article
pollypolly October 24th, 2008 at 10:02 am
nice article!
lizzee October 25th, 2008 at 2:27 pm
helpful and informative-thanks